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A swimming pool lit from within at blue hour with a warm-lit timber pavilion behind it

Gallery

See our work

Lighting only exists after dark, so that is when all of this was photographed. Filter it by the kind of work you are thinking about.

A stone and brick two-story home at night, warm white lighting following each roofline and gable and wrapped around the porch columns — Warm white along every roofline and gable, with the porch columns wrapped to match.

A yellow Victorian house photographed at blue hour with warm roofline lighting and lit shrubs along the front — Blue hour is the twenty minutes when the sky still has color and the lights have already come on.

A colonial house at dusk with roofline lighting above and individually lit shrubs across the front beds — Roofline lighting plus lit shrubs. The planting is what stops the front of a house looking like a floating outline.

A large stone manor house at night with lit wreaths on the upper windows, garland framing the entry, and uplit trees behind — Lit wreaths on the upper windows, garland on the entry, and the trees uplit behind.

A small cottage with a lit wreath over the door and warm roofline lighting, snow covering the ground — Snow on the ground does half the work: everything warm reads twice as warm.

A wide single-story ranch home at night with warm roofline lighting and lit garland above each front window — A low ranch roofline with garland picked out over each window.

A wrought-iron driveway gate at night carrying a large lit wreath with a red bow and garland woven through the ironwork — An oversized wreath and bow on the gate, with garland run along the ironwork.

A covered porch with garland spiralled up each white column and lit wreaths hung with red bows in the openings — Garland spiralled up the columns and wreaths hung in the openings of a covered porch.

A long driveway at night leading to a lit mansion entry, with illuminated gate piers and garland on the portico — The approach matters as much as the facade. Lit gate piers, lit drive, lit entry.

A lit restaurant storefront at night with garland and red bows along the railings and warm lighting outlining the facade — Garland and bows along the railings, and the facade outlined. It reads from the far side of the car park.

A corner retail unit at dusk with lit wreaths in the windows and warm lighting along the roofline of both elevations — A corner unit decorated on both elevations, because customers arrive from both directions.

A commercial building entrance at night with lit garland wrapped around the columns and a large wreath above the doors — Wrapped columns and a wreath over the doors: the cheapest way to make a commercial entrance feel finished.

A tall white-lit Christmas tree standing in a commercial atrium beside a water feature — Interior work is part of the same contract. This one goes up and comes down inside the same visit.

A grand interior staircase and balcony rail dressed with lit garland, ribbon and ornaments — Garland run along a staircase and balcony rail, with the newel posts dressed to match.

A historic county courthouse at dusk washed in red and green architectural lighting — A civic facade in red and green. The same fixtures do any other color the calendar asks for.

A tall lit public Christmas tree in a plaza at night with illuminated snowflake decorations on the surrounding light poles — A public tree and pole-mounted snowflakes, lit as one scheme rather than two.

A large civic building lit in warm gold at dusk, its facade reflected in the still water of a reflecting pool — Water doubles a lighting scheme for free, so long as the aiming accounts for the reflection.

A historic multi-story brick facade washed in shifting bands of blue, green, orange and magenta light — Per-pixel color across a historic facade, changed from an app rather than by a crew.

A large stone and stucco home at blue hour with its facade washed in warm light and the surrounding planting uplit — Facade wash, uplit planting and a lit approach, balanced so no one element shouts.

A brick house with steep gables at night, each gable uplit from below and the entry lit warm — Uplighting a gable from below exaggerates the pitch. That is the whole reason to do it.

A white garden gazebo at night surrounded by uplit ornamental grasses and shrubs, with a tree downlit from above — A garden lit in layers: canopy downlight, mid-height shrubs, then the path.

A brass path light at night casting a warm pool of light across a bed of pink blooms — A path light does two jobs, and the one people notice is what it does to the planting beside it.

A covered stone porch at night with white columns, warm light washing the ceiling and seating arranged beneath — Lighting a covered porch means lighting the ceiling, not the floor.

A rock water feature and pond at night lit from within and from the side, water falling between the stones — Submerged and grazing fixtures on a rock water feature. Moving water catches light that still water loses.

A swimming pool lit from within at blue hour with a warm-lit timber pavilion behind it and uplit evergreens — A pool, a pavilion and the planting behind, all on one system and one app.

A swimming pool at night beside a dry-stone retaining wall, the stonework grazed with warm light — Grazing light across a dry-stone wall picks out every course. Flat light would erase it.

A group of evergreens uplit at night beside a lit house entrance and warm-lit planting beds — Evergreens hold light better than anything else in an Ohio garden in February.

A craftsman-style house at night with a permanent LED track along the roofline and gables lit in alternating red and green — The same permanent track that runs warm white all year, set to red and green for December.

A multi-story commercial building at night with permanent color-changing LED lighting outlining its upper floors — Permanent architectural LED on a commercial building: installed once, recolored from a phone.

A low commercial building at dusk with permanent warm white lighting along its roofline and uplit trees in front — Warm white is the honest default. It makes the building look like a building.

Warm bistro string lights hung in even catenary runs above an outdoor patio with tables and chairs set beneath — Even catenary curves and equal spacing. That is what separates this from a weekend job.

Bistro string lights above a pool terrace at dusk with a dining table and umbrella beneath — Bistro lighting over a pool terrace, tensioned off real anchor points rather than whatever was nearby.

An outdoor bar at night with warm light washing down the front of the counter and stools arranged along it — Under-counter lighting on an outdoor bar. Nobody sees the fixtures, everybody sees the counter.

The interior of a large event marquee at night with strings of warm lights across the canopy and round tables set below — A marquee lit for a reception: canopy strings for the room, and the tables lit separately.

A barn interior draped in white fabric with a chandelier above and a long table set for a wedding reception — Drape and a chandelier in a barn. The lighting is doing the work the walls cannot.

A long banquet table set for a reception under warm bistro lighting, candles down the center and lit trees behind — Bistro above, candles on the table, trees lit behind. Three layers, one look.

The underside of an event tent at night filled with hundreds of small warm lights across the canopy — A full canopy of warm points instead of a few bright fixtures, so nobody at the table is squinting.

A walk-through light tunnel at night filled with thousands of LEDs animating through rainbow colors — A walk-through tunnel mapped per pixel, so the animation travels along the tunnel rather than along the wire.

Mature trees uplit in magenta and purple at night across a sloping lawn — Color-changing uplights on mature trees. Any color, on a schedule, without a site visit.

A tree canopy at night lit from below in shifting bands of green, blue and magenta — Color across a tree canopy, set from an app and scheduled to change through a season.

More every season

We add to this as installations go in, and there is a great deal more than fits on one page. If you want to see what we have done on a street, a building type or a suburb in particular, ask and we will send examples.

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